neophilologyНеофилологияNeophilology2587-69532782-5868Derzhavin Tambov State University10.20310/2587-6953-2023-9-2-444-451neophilology-74Research ArticleТЕОРИЯ И ИСТОРИЯ КУЛЬТУРЫTHEORY AND HISTORY OF CULTUREИсследования звуковой культуры в 60–70-х гг. ХХ века: историко-культурологический анализStudies of sound culture in the 60s–70s of the 20th century: historical and cultural analysishttps://orcid.org/0000-0002-6098-9768Орлов-ДавыдовскийГ. А.Orlov-DavydovskyG. A.

Орлов-Давыдовский Георгий Алексеевич, аспирант, кафедра философии и социальных наук

129226, г. Москва, 2-й Сельскохозяйственный пр., 4, корп. 1 

Georgy A. Orlov-Davydovsky, Post-Graduate Student, Philosophy and Social Sciences Department

4-1 2 Selskokhozyaystvennyy Dr., Moscow, 129226

geo-orlov@yandex.ruГАОУ ВО «Московский городской педагогический университет»РоссияMoscow City UniversityRussian Federation20233006202392444451Copyright © Орлов-Давыдовский Г.А., 20232023Орлов-Давыдовский Г.А.Orlov-Davydovsky G.A.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://neophilology.elpub.ru/jour/article/view/74

Рассмотрены культурологические, социальные и исторические особенности зарождения и развития исследований звуковой и аудиальной культуры в 60–70 гг. XX века через обзор концепций, анализ искусства, звуковых и аудиальных технологий, которые повлияли на появление и становление современных звуковых исследований. Сделан акцент на тезаурусе области, дисциплинарных разграничениях, восприятии и интерпретации звука. Представлены семиотические и пространственные концепции рассуждения о звуке как знаке со своим означающим и означаемым в некой (не)слышимой среде. Проанализирован вклад основоположника звуковых исследований и акустической экологии исследователя Р.М. Шейфера в педагогические, философские и социокультурные области знаний. Р.М. Шейфер разработал научный концепт под названием «звуковой ландшафт», повлиявший на развитие большинства исследований звуковой культуры после 1970-х гг. Представленные в работе концепции интердисциплинарны и объединяют в себе множество направлений, где основой становится рассуждение о роли звука и слушания в социокультурном пространстве.  

We consider cultural, social and historical features of the origin and development of studies of sound and auditory culture in the 60s–70s. 20th century through a review of concepts, analysis of art, sound and auditory technologies that influenced the emergence and development of modern sound research. Emphasis is placed on the thesaurus of the area, disciplinary distinctions, perception and interpretation of sound. Semiotic and spatial concepts of reasoning about sound as a sign with its signifier and signified in a certain (in)audible environment are presented. We analyze the contribution of the founder of sound research and acoustic ecology researcher R.M. Schafer in pedagogical, philosophical and socio-cultural areas of knowledge. R.M. Schafer developed a scientific concept called “soundscape”, which influenced the development of most studies of sound culture after the 1970s. The concepts presented in the work are interdisciplinary and combine many directions, where the basis is the discussion about the role of sound and listening in the socio-cultural space. 

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The authors declare that there are no conflicts of interest present.