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OLGA YU. OSMUKHINA

OLGA YU. OSMUKHINA

Dr. Sci. (Philology), Professor. National Research Mordovia State University (Saransk, Russian Federation), Head of Russian and Foreign Literature Department

ORCID: https://orcid.org/0000-0002-1456-4793

RSCI: SPIN-code: 6525-5410, AuthorID: 402212

ResearcherID: P-3379-2017

Scopus: 57197735209

https://p.mrsu.ru/Portfolio/Main

E-mail:osmukhina@inbox.ru

 

SPHERE OF SCIENTIFIC INTERESTS

Nabokov studies, history and theory of Russian literature of the 20th – early 21st centuries, Russian-foreign literary connections, problems of synthesis of arts and mutual influence of literature and cinema, genre traditions, narratology, history of world literature

 

SCIENTIFIC AND ORGANIZATIONAL WORK

Social work, participation in scientific communities:

2013 – present time – expert of the Federal Register of Experts in the Scientific and Technical Sphere of the Ministry of Education and Science of the Russian Federation of Scientific Research Institute - Federal Research Centre for Projects Evaluation and Consulting Services

Deputy Chairman of the joint dissertation council D 999.061.03 (National Research Lobachevsky State University of Nizhny Novgorod, National Research Ogarev Mordovia State University, Minin Nizhny Novgorod State Pedagogical University)

Member of the dissertation council 24.2.340.14 (National Research Lobachevsky State University of Nizhny Novgorod)

Member of the dissertation council D 212.117.10 (National Research Ogarev Mordovia State University)

Member of the Russian Cultural Society

Member of the Academy (jury) of the national award “Bol’shaya kniga”

Member of the editorial board:

Scientific Dialogue, member of the editorial board

Philology. Theory & Practice, member of the editorial board

Art Logos, member of the editorial board

Pan-Art, member of the editorial board

Bakhtinsky Vestnik, member of the editorial board

Prepared and defended 2 doctoral and 13 candidate dissertations

 

SIGNIFICANT PUBLICATIONS OF RECENT YEARS

Articles

Features of figuralism in the portics of V. Kaverin’s novel “Two captains”. Vestnik Russkoy khristianskoy gumanitarnoy akademii = Review of the Russian Christian Academy for the Humanities, 2023, vol. 24, issue 3-2, pp. 359-369. https://doi.org/10.25991/VRHGA.2023.3.3.034 (in co-authorship)

Chronotope of the city in detective novels by N. Svechin. Vestnik Russkoy khristianskoy gumanitarnoy akademii = Review of the Russian Christian Academy for the Humanities, 2023, vol. 24, issue 3-2, pp. 385-393. https://doi.org/10.25991/VRHGA.2023.3.3.037

Synthesis of real and alternative history in A. Ivanov’s “Heart of Parma”. Vestnik Russkoy khristianskoy gumanitarnoy akademii = Review of the Russian Christian Academy for the Humanities, 2023, vol. 24, issue 2, pp. 281-297. https://doi.org/10.25991/VRHGA.2023.2.2.023 (in co-authorship)

“Opusmagnum” by professor L.V. Polyakova. Art Logos, 2023, no. 2 (23), pp. 206-210. https://doi.org/10.35231/25419803_2023_2_206

Novel “Tashkent – the bread city” by Alexander Neverov in context of Russian prose about homeless children in 1920s. Nauchnyy dialog = Scientific Dialogue, 2023, vol. 12, no. 5, pp. 310-327. https://doi.org/10.24224/2227-1295-2023-12-5-310-327 (in co-authorship)

Specificity of the anti-utopian tradition interpretation in the novella “Nikolai Nikolaevich” by Yuz Aleshkovsky. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2023, vol. 16, issue 6, pp. 1672-1677. https://doi.org/10.30853/phil20230300 (in co-authorship)

The artistic originality of the modern orthodox story (“A tempting offer for Margarita” by Y. Shamanskaya). Izvestiya Samarskogo nauchnogo tsentra Rossiyskoy akademii nauk. Sotsial’nye, gumanitarnye, mediko-biologicheskie nauki = Izvestiya of the Samara Russian Academy of Sciences Scientific Center. Social, Humanitarian, Medicobiological Sciences, 2023, vol. 25, no. 2 (89), pp. 76-85. https://doi.org/10.37313/2413-9645-2023-25-89-76-85 (in co-authorship)

The specifics of the embodiment of the author’s mask in the novel by V.P. Aksenova “Burn”. Neofilologiya = Neophilology, 2023, vol. 9, no. 1, pp. 121-131. https://doi.org/10.20310/2587-6953-2023-9-1-121-131 (in co-authorship)

Author’s strategy of G. Flynn’s detective novels (by the material of the novel “Sharp Objects”). Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2023, vol. 16, issue 3, pp. 737-741. https://doi.org/10.30853/phil20230091 (in co-authorship)

The specifics of the chronotope in the novel “Two captains” by V. Kaverin. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2023, vol. 16, issue 2, pp. 374-378. https://doi.org/10.30853/phil20230036 (in co-authorship)

“Nordic (Scandinavian) noir” vs Scandinavian detective: a debatable aspect of study. Nauchnyy dialog = Scientific Dialogue, 2023, vol. 12, no. 1, pp. 246-264. https://doi.org/10.24224/2227-1295-2023-12-1-246-265 (in co-authorship)

Specifics of the author’s strategy of V.P. Aksenov’s novel “In search of a genre”. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2023, vol. 16, issue 1, pp. 53-58. https://doi.org/10.30853/phil20220745 (in co-authorship)

Representation peculiarities of the image of China in the modern lyrical cycle of travel. Vestnik Novosibirskogo gosudarstvennogo universiteta. Seriya: Istoriya, filologiya = Vestnik NSU. Series: History and Philology, 2022, vol. 21, no. 9, pp. 118-127. https://doi.org/10.25205/1818-7919-2022-21-9-118-127 (in co-authorship)

Concept of path in novels “The Way of Muri” by Ilya Boyashov and “Chronicles of a Stray Cat” by Hiro Arikawa. Nauchnyy dialog = Scientific Dialogue, 2022, vol. 11, no. 2, pp. 316-330. https://doi.org/10.24224/2227-1295-2022-11-2-316-330 (in co-authorship)

J.W. Goethe in the reception of L. van Beethoven (based on the composer’s epistolary heritage). Vestnik Russkoy khristianskoy gumanitarnoy akademii = Review of the Russian Christian Academy for the Humanities, 2022, vol. 23, issue 3 (2), pp. 156-168. https://doi.org/10.25991/VRHGA.2022.3.2.014 (in co-authorship)

The synthesis specificity of folklore and orthodox code in Y. Voznesenskaya’s novel “The Star Chernobyl”. Neofilologiya = Neophilology, 2022, vol. 8, no. 4, pp. 772-785. https://doi.org/10.20310/2587-6953-2022-8-4-772-785 (in co-authorship)

The spy novel genre in Russian literature of the 20th century: historical and literary theoretical aspects of study. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2022, vol. 15, issue 9, pp. 2794-2799. https://doi.org/10.30853/phil20220473 (in co-authorship)

Specificity of spy novel tradition interpretation in P.N. Prudkovsky’s prose. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2022, vol. 15, issue 8, pp. 2414-2418. https://doi.org/10.30853/phil20220430 (in co-authorship)

“The Jester” by Yu. Vyazemsky vs “The Jester” by A. Eshpai: specificity of cinema interpretation of a literary character’s image. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2022, vol. 15, issue 5, pp. 1364-1369. https://doi.org/10.30853/phil20220273 (in co-authorship)

Metanovel vs metatext: a contentious aspect of studying V. Pelevin’s prose. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2022, vol. 15, issue 5, pp. 1359-1363. https://doi.org/10.30853/phil20220279 (in co-authorship)

Christian context of historical novel (Zakhar Prilepin’s “Abode”). Nauchnyy dialog = Scientific Dialogue, 2021, no. 9, pp. 181-199. https://doi.org/10.24224/2227-1295-2021-9-181-199 (in co-authorship)

“The Beethoven text” of Russian literature (on the material of L.N. Tolstoy’s “Kreutzer sonata” and V.V. Nabokov’s “Music”). Vestnik Russkoy khristianskoy gumanitarnoy akademii = Review of the Russian Christian Academy for the Humanities, 2021, vol. 22, no. 3, pp. 182-191. https://doi.org/10.25991/VRHGA.2021.22.3.015

Little-known page of co-creation of Ch. Dickens and W. Collins: novel “No Exit”. Nauchnyy dialog = Scientific Dialogue, 2021, no. 5, pp. 256-271. https://doi.org/10.24224/2227-1295-2021-5-256-271 (in co-authorship)

Problem of periodization and some aspects of the late work of F. Bret Hart. Nauchnyy dialog = Scientific Dialogue, 2021, no. 2, pp. 244-258. https://doi.org/10.24224/2227-1295-2021-2-244-258 (in co-authorship)

Features of plot building of the lyrical cycles of travels in Russian poetry of Mordovia of the late 20th – early 21st centuries. Vestnik ugrovedeniya = Bulletin of Ugric Studies, 2020, vol. 10, no. 3, pp. 436-445. https://doi.org/10.30624/2220-4156-2020-10-3-436-445 (in co-authorship)

Traditions of the family novel “Russian canary” by Dina Rubina. Ad Alta: Journal of Interdisciplinary Research, 2020, vol. 10, no. 1, pp. 92-97. (in co-authorship)

Zamyatin studies in Tambov: results and prospects. Neofilologiya = Neophilology, 2020, vol. 6, no. 21, pp. 119-133. https://doi.org/10.20310/2587-6953-2020-6-21-119-133

Specifics of the breaking of neo-romantic tradition in the work of R.L. Stevenson. Nauchnyy dialog = Scientific Dialogue, 2019, no. 11, pp. 173-185. https://doi.org/10.24224/2227-1295-2019-11-173-185

“Zamyatin encyclopedia” in the international discussion. Neofilologiya = Neophilology, 2019, vol. 5, no. 18, pp. 221-260. https://doi.org/10.20310/2587-6953-2019-5-18-221-260 (in co-authorship)

Hero-detective’s image: specificity of interpretation by literature and modern cinematography. Filologicheskie nauki. Voprosy teorii i praktiki = Philology. Theory & Practice, 2019, vol. 12, no. 2, pp. 389-393. https://doi.org/10.30853/filnauki.2019.2.83

Books

The Tradition of the Author’s Mask in Russian Prose of the 18th – 19th Centuries. Moscow, INFRA-M Publ., 2023, 379 p. https://doi.org/10.12737/1911018

V. Nabokov & V. Nabokov: proza kak kulturnyy fenomen [V. Nabokov & V. Nabokov: Prose as a Cultural Phenomenon].Nizhny Novgorod, Nizhny Novgorod State University Publ., 2019, 160 p.

Tvorchestvo G. Shcherbakovoy kontsa 1970-kh – nachala 2000-kh gg. v kontekste traditsiy russkoy klassiki: monografiya [The work of G. Shcherbakova in the Late 1970s – early 2000s in the Context of the Traditions of Russian Classics: Monograph]. Saransk, Mordovia State University Publ., 2017, 172 p. (in co-authorship)