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| Issue |
Title |
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| Vol 7, No 26 (2021) |
On the artistic singularity of the play by A.N. Ostrovsky “The Snow Maiden” in the context of the mythopoetic worldview |
Abstract
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K. V. Smirnov |
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| Vol 7, No 26 (2021) |
“Natural human” and human nature in the novelette of A.I. Kuprin “Olesya” |
Abstract
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E. V. Grudinina |
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| Vol 7, No 26 (2021) |
Color designation semantics in S.A. Esenin and E. Verhaeren’s lyric |
Abstract
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O. M. Kopyriulina |
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| Vol 7, No 26 (2021) |
Children’s historical narrative of the early 21st century (based on the story “The Ghost of the Network” by Tamara Kryukova) |
Abstract
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Guangjie Zheng |
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| Vol 7, No 25 (2021) |
The influence of Old Testament reminiscences in the dramatic poem by S.A. Yesenin “Pugachev” on the artistic and philosophical system of the play by I.M. Levin “Moses” |
Abstract
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I. O. Mashenkova |
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| Vol 7, No 25 (2021) |
From miracle-play to carnival: Chinese New Year holidays in Bulgakov’s M.A. novella “The Fatal Eggs” |
Abstract
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V. V. Kolchanov |
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| Vol 7, No 25 (2021) |
Human behavior under conditions of limited freedom in the novel by A.I. Solzhenitsyn’s “In the first circle” |
Abstract
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Yang Bai, N. V. Sorokina |
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| Vol 7, No 25 (2021) |
Dream in Gaito Gazdanov’s prose as a literary problem |
Abstract
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E. E. Ivanov, G. P. Ivanova |
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| Vol 7, No 28 (2021) |
State, power, people and people in the novel by A.F. Pisemsky “Men of the Forties” |
Abstract
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V. G. Andreeva |
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| Vol 7, No 25 (2021) |
Cycle of novellas “Bruderschaft with Death” by B. Akunin in the aspect of literary cinematic |
Abstract
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O. Y. Osmukhina, I. R. Kuryaev |
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| Vol 7, No 28 (2021) |
On the finale of Y.I. Zamyatin’s novel “We”: an optimistic tragedy? |
Abstract
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Hongyuan Wang |
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| Vol 7, No 28 (2021) |
“About an orphan soldier”: the motive of orphanhood in V. Astafyev’s stories at the turn of 1950s–1960s |
Abstract
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V. A. Tscherbakova, P. A. Goncharov |
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| Vol 7, No 27 (2021) |
‘Fear’ and ‘laughter’ of F.M. Dostoevsky |
Abstract
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I. V. Ruzhitsky |
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| Vol 7, No 27 (2021) |
Gallipoli poet N.V. Stanyukovich’s collection “From the ashes”: image-motive structure |
Abstract
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S. V. Kopyryulin |
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| Vol 7, No 27 (2021) |
Problems of historical memory and its preservation, responsibility, forgiveness. From the novel “Silence” to the story “Relatives” by Y.V. Bondarev |
Abstract
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Lili Jin |
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| Vol 7, No 27 (2021) |
Mythopoetics of the space-time continuum in Sergei Kozlov’s tales of thr Hedgehog and the Bear |
Abstract
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M. Y. Elepova, N. G. Kabanova |
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| Vol 7, No 26 (2021) |
Realistic tendencies in M. N. Zagoskin’s comedies |
Abstract
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S. K. Kushigina |
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| Vol 6, No 23 (2020) |
“Diabolic rays” in the novel of M.A. Bulgakov “The Fatal Eggs”: about one modern literary topic in science fiction of the 1920s |
Abstract
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V. V. Kolchanov |
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| Vol 6, No 23 (2020) |
Evolution of men and women images in the character system in science fiction works of the Strugatsky brothers |
Abstract
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I. V. Kozlov |
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| Vol 6, No 23 (2020) |
Childhood time and literary space in the Gennadiy Aygi’s poetry |
Abstract
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T. V. Kudryakova |
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| Vol 6, No 23 (2020) |
L.M. Leonov’s plays on the stage of Tambov theatre |
Abstract
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N. V. Sorokina |
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| Vol 6, No 24 (2020) |
Gallipoli theme in Russian literature |
Abstract
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M. S. Sosnizkaja |
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| Vol 6, No 24 (2020) |
The opposition “home – world” in the drama of M.A. Bulgakov of the 1920s (“The Days of the Turbins”, “Zoyka’s apartment”, “Flight”) |
Abstract
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Liang Weiqi |
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| Vol 6, No 24 (2020) |
Carnival mythopoetics of V. Aksenov’s novel “Moscow ow ow” |
Abstract
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N. P. Krokhina |
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| Vol 6, No 24 (2020) |
Activities of Haji Ibrahim Gasimov in the “Igbal” newspaper |
Abstract
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A. E. Agayarova |
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| Vol 6, No 21 (2020) |
Parallels of A.S. Pushkin’s tales and Giambattista Basile’s “Tale of Tales” of 17th century |
Abstract
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M. S. Sosnizkaja |
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| Vol 6, No 21 (2020) |
“Limit to the bloody field”: retribution in the narrative of A. Ivanov “Pitchfork” |
Abstract
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P. A. Goncharov, P. P. Goncharov |
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| Vol 6, No 22 (2020) |
Around the “mystery of eternal destruction and eternal salvation”: The moral and philosophical “spiral” by Y.V. Bondarev |
Abstract
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L. E. Khvorova, Lili Jin |
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| Vol 6, No 22 (2020) |
Polyphonic collegiality of points of view in the “poetic composition” by B.A. Uspenskiy |
Abstract
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Yuee Guan |
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| Vol 6, No 23 (2020) |
The Kore archetype and its implementation in the play by A.N. Ostrovsky “The Storm” |
Abstract
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K. V. Smirnov |
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| Vol 6, No 23 (2020) |
Implementation of the aesthetic ideal in the “A Writer’s Diary” by F.M. Dostoevsky |
Abstract
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E. O. Sycheva, A. A. Serebryakov |
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| Vol 6, No 23 (2020) |
Body and physicality in the prose of Ivan Alekseyevich Bunin (based on stories) |
Abstract
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N. B. Bugakova, Yu. S. Popova, O. V. Sulemina |
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| Vol 5, No 20 (2019) |
Mask: to the issue of metaphysical substantiality (Y.V. Bondarev’s novel “Choice” and its adaptation specifics) |
Abstract
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L. E. Khvorova, Lili Jin |
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| Vol 5, No 20 (2019) |
Magical realism traditions in the Dina Rubina’s novel “Style of Leonardo” |
Abstract
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N. V. Sorokina, L. Y. Abramenkova |
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| Vol 5, No 18 (2019) |
“Tambov” pages in the life and work of A.I. Solzhenitsyn |
Abstract
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N. V. Sorokina |
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| Vol 5, No 19 (2019) |
On features of subject detail functioning in the works of I.A. Bunin |
Abstract
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N. B. Bugakova, Y. S. Popova, O. V. Sulemina |
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| Vol 5, No 18 (2019) |
Intermedial contexts of the coat of arms motif in lyrical poetry by Viktor Krivulin |
Abstract
PDF (Rus)
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A. V. Markov |
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| Vol 5, No 19 (2019) |
Spatiotemporal coordinates of the artistic world of N. Abgaryan in the storybook “To live further” |
Abstract
PDF (Rus)
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E. O. Kuzminykh, V. V. Vyazovskaya |
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