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| Issue |
Title |
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| Vol 10, No 4 (2024) |
“Death in Moscow” by Yuz Aleshkovsky: mortal images, narrative strategy, genre-thematic features |
Abstract
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R. I. Maksinyaev |
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| Vol 10, No 4 (2024) |
King Philip II of Spain as the prototype of the Grand Inquisitor in F.M. Dostoevsky’s novel “The Brothers Karamazov” |
Abstract
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A. A. Yudakhin |
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| Vol 10, No 4 (2024) |
V. Pelevin and D. Cronenberg: points of intersection of domestic and Western postmodernism |
Abstract
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E. V. Sherchalova, E. S. Tulusheva |
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| Vol 10, No 4 (2024) |
The artistic value of the bestseller: the genre art of G. Yakhina’s novel “My Children” |
Abstract
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Xinyi Zang, Yuee Guan |
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| Vol 10, No 4 (2024) |
An attempt to identify intertextual connections with the Holy Scripture in the spiritual lyrics of V.D. Fedorov |
Abstract
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N. N. Kireev |
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| Vol 10, No 4 (2024) |
Bird mythologem in E.G. Vodolazkin’s novel “The Aviator” |
Abstract
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D. S. Gudin, N. V. Sorokina |
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| Vol 10, No 3 (2024) |
The function of oneiric miniatures in the inner plot of F.M. Dostoevsky’s novel “Crime and Punishment” |
Abstract
PDF (Rus)
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E. E. Ivanov |
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| Vol 10, No 2 (2024) |
Poet and traveler: N.I. Glazkov’s creative business trips (based on the poet’s correspondence with Tambov residents) |
Abstract
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V. P. Sereda, I. O. Mashenkova |
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| Vol 10, No 2 (2024) |
Image of the Samarkand city in the artistic worldview of the historical novel by O. Yoqubov “Treasures of Ulugbek” |
Abstract
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N. A. Ismatova |
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| Vol 10, No 2 (2024) |
On the Eastern style of thinking in A. Bely’s theory of symbolism |
Abstract
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Haiying Guan, Xiaodong Pan |
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| Vol 10, No 2 (2024) |
“Sacred horror” of the poet Gavriil Romanovich Derzhavin |
Abstract
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Metropolitan of Tambov and Rasskazovo Theodosius (Sergey I. Vasnev) |
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| Vol 10, No 2 (2024) |
The symbolic function of the portrait of Pope Innocent the X in F.M. Dostoevsky’s story “The Meek One” |
Abstract
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A. A. Iudakhin |
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| Vol 10, No 2 (2024) |
Ural satirical magazines of the First Russian revolution (“Gnom”, “Rubin”, “Magnit”) |
Abstract
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I. V. Kozlov |
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| Vol 8, No 2 (2022) |
The interaction of the structural construction principles in the F.M. Dostoevsky’s novel “The Idiot” |
Abstract
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А. А. Serebriakov, D. R. Zheleznyak |
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| Vol 8, No 2 (2022) |
To the sources of the motive of mass psychosis in M.A. Bulgakov’s novel “The Master and Margarita” |
Abstract
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V. V. Kolchanov, S. A. Kosyakova |
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| Vol 10, No 1 (2024) |
Reception of the “Dostoevsky myth” in the philosophical works of N.A. Berdyaev and V.I. Ivanova |
Abstract
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A. A. Serebriakov, D. R. Zheleznyak |
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| Vol 10, No 1 (2024) |
The method of introduction in the collection of B.A. Lazarevsky “Doomed and Other Stories” |
Abstract
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Ya. N. Makhracheva, N. Yu. Zheltova |
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| Vol 10, No 1 (2024) |
Ch. Aitmatov and the Russian traditionalist prose of the 1960s–1970s (on the 95th anniversary of the writer’s birth) |
Abstract
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P. A. Goncharov |
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| Vol 10, No 1 (2024) |
The lake’s image in the artistic worldview of the Northern text of Russian literature for children |
Abstract
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A. V. Davydova |
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| Vol 8, No 4 (2022) |
The synthesis specificity of folklore and orthodox code in Y. Voznesenskaya’s novel “The Star Chernobyl” |
Abstract
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O. Y. Osmukhina, E. A. Beloglazova |
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| Vol 8, No 4 (2022) |
Features of modeling art space in Sofia Prokofiev’s fairy tale “Kingdom of Seven Lakes” |
Abstract
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M. Y. Elepova, N. G. Kabanova |
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| Vol 8, No 3 (2022) |
“Ah, what a glorious land...”: about the parody of V. Bakhnov against the backdrop of the pamphlet by A. Perventsev |
Abstract
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S. V. Sviridov |
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| Vol 8, No 3 (2022) |
On the history of the Russian translation of Chinese new literature in the 1920–1930s |
Abstract
PDF (Rus)
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Xiaoling She, Mengya Li |
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| Vol 8, No 3 (2022) |
The motive of native home returning in the prose of Fyodor Abramov and Valentin Rasputin |
Abstract
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V. Y. Ivanova |
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| Vol 8, No 3 (2022) |
Literary text as a place of archiving the past in M. Shishkin’s short story collection “The Half-Belt Overcoat” |
Abstract
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I. R. Kuryaev |
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| Vol 8, No 1 (2022) |
The influence of the ethical ideas of L.N. Tolstoy and P.A. Kropotkin on G. Gazdanov’s creative principles |
Abstract
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E. E. Ivanov |
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| Vol 8, No 1 (2022) |
Topos of cemetery in E.G. Vodolazkin’s novels |
Abstract
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D. S. Gudin |
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| Vol 8, No 1 (2022) |
Transformation of biblical, mythological and folklore models in “Three fairy tales of the winged, three-headed, fire-breathing Serpent” by Radiy Pogodin |
Abstract
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M. Y. Elepova, N. G. Kabanova |
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| Vol 9, No 1 (2023) |
The image of the Russian clergy in the works of A.P. Chekhov |
Abstract
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M. I. Lipuntsov |
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| Vol 9, No 1 (2023) |
The specifics of the embodiment of the author’s mask in the novel by V.P. Aksenova “Burn” |
Abstract
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O. Yu. Osmukhina, R. A. Kadeeva |
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| Vol 9, No 2 (2023) |
Emanation of L. Tolstoy’s “folk thought” in the work of B. Okudzhava |
Abstract
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E. E. Ivanov |
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| Vol 9, No 2 (2023) |
Poetry V.G. Rudelev in the context of linguoecology of the “post” era |
Abstract
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N. L. Potanina |
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| Vol 9, No 3 (2023) |
Genius of poetic expression. Part one (Based on the publicistic article by S.N. Sergeev-Tsensky “Gogol as an artist of the word”) |
Abstract
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L. E. Khvorova |
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| Vol 9, No 3 (2023) |
“Do you know, I have thought of giving up the world to the Pope…”: the anti-Catholic layer of the novel by F.M. Dostoevsky “Demons” |
Abstract
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A. A. Iudakhin |
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| Vol 9, No 3 (2023) |
The works of V.M. Shukshin in China: history of translations and creativity reception |
Abstract
PDF (Rus)
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Sijia Shao |
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| Vol 9, No 3 (2023) |
The cinematography of the novel “Sasha, hello!” Dmitry Danilov |
Abstract
PDF (Rus)
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I. R. Kuryaev |
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| Vol 9, No 4 (2023) |
“Galchonok” magazine as a space for children’s creativity |
Abstract
PDF (Rus)
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A. S. Lashcheva |
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| Vol 9, No 4 (2023) |
“Native on Fatherland”: A. Solzhenitsyn in V. Astafiev’s view (on the material of letters and journalism) |
Abstract
PDF (Rus)
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P. A. Goncharov |
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| Vol 9, No 4 (2023) |
Yu.S. Semenov: from “Seventeen Moments of Spring” to “The Third Map”. “Encryption” of historical facts |
Abstract
PDF (Rus)
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L. E. Khvorova |
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| Vol 9, No 4 (2023) |
Dystopia or Transgression? (Two readings of V. Sorokin’s story “The Blizzard”) |
Abstract
PDF (Rus)
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A. G. Kovalenko, Jiarui Hu |
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| Vol 9, No 4 (2023) |
Plot transformation of “Mozart and Salieri” tragedy by A.S. Pushkin in the story “Pi Day” by N. Dashevskaya |
Abstract
PDF (Rus)
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S. Y. Zhutova, N. V. Sorokina |
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